The Council of the Canary Islands, following the recommendation of the Minister of Universities, Science, and Culture, Migdalia Machín, has officially designated the Three Wise Men of Tejina as part of the catalogue of intangible cultural heritage of the Canary Islands, falling under the classification of ‘Social Ritual Uses and Festive Events’.
Depicting the traditional tale of the Adoration of the Three Wise Men, the performance known as the Auto of the Three Wise Men of Tejina is esteemed as a significant piece of Christmas theatre in the Canary Islands.
Although the exact origins are not pinpointed, historical records indicate that this performance has been consistently staged since the early 20th century.
Originating as a religious and liturgical practice, the tradition has evolved over time, acquiring a more communal aspect due to the active involvement of the local populace. The residents of Tejina have preserved this living tradition, intrinsic to their identity, with successive generations safeguarding this intangible legacy, ensuring its continuity and passing it down through the ages to the present day.
As one of the oldest surviving forms of popular theatre in the Canary Islands, the Auto is a cornerstone of the January 5th celebrations during the festive season. Over a hundred amateur actors, including children and adults, participate in staging various scenes, as reported by the Council.
The narrative of the Auto unfolds through three key episodes: the Annunciation of the angels to the shepherds and their presentation to the Infant Jesus, interactions with King Herod, the adoration of the Infant Jesus, and the Flight into Egypt.
The cast comprises characters whose lines have been passed down through generations, such as two angels, the Three Wise Men, the Virgin Mary, Saint Joseph, King Herod, the sentinel, and the shepherds.
Additional characters lacking scripted lines are incorporated into the performance, including groups of shepherds and the tanda (a musical ensemble attired in traditional Canarian dress, performing two festive tunes: the jotilla and the Divino).
The production involves over seventy individuals on stage, depending on the specific edition.
The entire local community plays a role in organizing and executing the Auto, with hundreds of residents taking part, particularly in the months leading up to the event.
Contributions to the performance range from set design, lighting and sound, costumes and makeup, rehearsals, actual staging, logistics, coordination, financing, to publicity and ensure the annual re-enactment of the Auto.
