Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.
Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.
Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.
Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.
Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.
Carmen Sevilla was one of those intergenerational myths. She was everything she wanted in life. For the more veteran she was a long-standing coplera, for others an international movie star, with a beauty that always took your breath away, and for the less veteran one of the closest, likeable and talkative television presenters. Throughout all of her vital stages, the artist was always linked to the Archipelago. From those first beginnings, on the black and white screen, through the arrival of color disembarking at full speed, the orders of another myth of the small screen such as Valerio Lazarov with the Spanish miniseries 360 degrees around…, recorded in port of the cross in Tenerife in 1972.