By Pedro Gómez Barreto
Not many locations in the Canary Islands can proudly claim to host genuine artists across various realms of artistic expression like the historic Villa de La Orotava. Each year, true to its tradition, the village assembles a monumental nativity scene in the Plaza del Ayuntamiento, enchanting both adults and children alike. This event has become a magnet for numerous onlookers who, on one hand, wish to relive their childhood by admiring the splendour of the display, while on the other, children, the true stars of the season, revel in observing this creation that merits all possible accolades.
Similarly, as seen in other parts of the Island, La Orotava also engages in a Nativity Scene Route, spearheaded by the Taoro Nativity Scene Association, which encourages visitors to explore twenty “portals” for the enjoyment of both their creators and the patrons. Among the distinguished artists in this nativity scene craft is local resident Javier Martín Rodríguez, who annually produces an authentic masterpiece at his residence on Calvario Street. He receives numerous visitors, eager to see the intricate work he reveals after an extensive effort spanning nearly an entire year, showcasing the renowned artist from Orotava.
Moreover, this exceptional craftsman possesses a rare talent since he personally crafts each figure and ornamentation (including houses, bridges, mountains, animals, etc.) that constitutes his well-attended nativity scene. DIARIO DE AVISOS sought the insights of this celebrated artisan, who has not only created pieces for personal enjoyment but has also shared his artistry with numerous local nativity scenes across various municipalities in Tenerife and beyond, even extending his reach to peninsular nativity displays in places like Murcia, Barcelona, Mallorca, and even Germany.
The Orotava artisan mentioned that he inherited this passion from his father, who also constructed their nativity scene portal (the well-known Orotava carpenter Victoriano). “Thus, since childhood, I have endeavoured year after year to enhance and refine my nativity scene, with my wife and two children also contributing.”
When inquired about the artistry involved in creating the figures and various nativity elements, often described as having “golden hands,” he affirms that he consistently strives to conduct “research work to fashion not only the figures that require meticulous attention but also to ensure they are brought to life with careful painting.” He adds, “Even the houses I build are replicas of traditional Canarian homes from specific areas that have captivated me; I gather information, take photographs and subsequently recreate them.”
Furthermore, this year’s nativity scene features a structure identical to a dilapidated Canarian dwelling located in La Matanza, a splendid homage that ensures this construction will forever be a highlight within his portfolio of exceptional works.
In light of the wide variety of nativity scenes available, Javier Martín expresses himself as a traditionalist; however, he prefers not to conform to the standard Hebrew nativity, opting instead for more traditional creations that evoke settings from Germany, Italy, or the Canarian nativity, which “is my preferred style, and it is what I have crafted this year with figures donned in magician attire, complete with whimsical blankets and accessories.”
Notably, a few years ago, he crafted a nativity scene inspired by the Tyrol region that garnered outstanding praise from all who faithfully attended his showcase as a village artisan. The extraordinary work he has completed this year includes professions that are rare in the Canary Islands, such as a traditional sharpener with his tools and whetstone, and a shoe shop where even the minutest details can be appreciated.
His nativity scene will remain open for viewing for up to two weeks following the Three Wise Men festival, providing an opportunity for those interested to witness this remarkable work in its setting and to engage with the illustrious craftsman from Orotava. He appears content and, despite his immense success and considerable fame, remains warm and remarkably humble, proud solely of his diligent nativity scene creation, which requires meticulous effort and, undoubtedly, he is already contemplating for next year’s instalment in 2025.
