We consistently feature well-known artists, but within the realm of music, there exist “the others”—the lesser-known figures. Among them is Jesús Beltrán, who, as a promoter and manager, significantly contributed to the music and nightlife culture of Tenerife and the Canary Islands.
From the A-gogó Club in La Laguna during the 1960s to his most recent venture, the notable La Puerta Verde in Santa Cruz de Tenerife, Jesús Beltrán’s journey has been defined by live performances and innovation. On Thursday, December 19, a substantial portion of his history will be unveiled with the presentation and screening of the documentary Where are my boys?, at 8:30 p.m. in the Aguere Cultural Space in La Laguna, featuring free entry.
What does the project entail? Directed by Yotti Delgado, the mastermind behind Los 80 Pasan Factura, Beltrán reflects on his life through an extensive lens. It’s genuinely that straightforward. Naturally, this biography is underscored by pivotal moments that have shaped music in the Canary Islands, simultaneously disclosing a vital philosophy.
The discussion will be enriched with music from various periods and a wealth of visual material from each era. Beltrán serves as his own archivist, preserving an extensive collection: not only brilliant photographs from the sixties at the A-gogó but also posters, cards, various performance documents, and newspaper cuttings…
The documentary extends beyond the legendary A-gogó; it also explores other venues established by Beltrán that were crucial to the cultural and nightlife landscape of Tenerife for decades. Venues such as Sloppy’s Santacrucero, where Jimi Hendrix performed as opposed to the Italian and French hits of the mid-sixties, are highlighted. The Yumbo also makes a return to the Laguna journey in the same location as the A-gogó, along with the iconic O’Clock of the Sitja passage in Santa Cruz de Tenerife. During the seventies and early eighties, both venues were instrumental in promoting live music and performances across the Canary Islands. Throughout the documentary, Beltrán recalls performers from that era, including Tete Montoliú, as well as newcomers like Joaquín Sabina and Luis Eduardo Aute.
Beltrán shares a multitude of anecdotes throughout his narrative, including the “almost” encounters in his life (like The Rolling Stones “almost” coming to the Canary Islands) and the ludicrous incident on a Monday afternoon that resulted in the Yumbo’s closure.
This documentary serves as a heartfelt historical record, honouring an individual who is deeply passionate about music and diversity. Be sure to catch the premiere, as the film is replete with delightful moments.