Look what Luis El Pirula is talking about!… He almost didn’t let me close the Cantina last night; me working like a blessed and he giving the tongue between a plate of chickpeas and quarts of wine. When I closed it, he went down the street, laughing like the street gangs parade in the bullring.
The man came to tell me that practically all the adult murgas were very satisfied with the sound test they did in the venue, convened by the organization and in which, with the help of the illustrious Carlos Mas, they were able to verify that the technical provision This year’s stage and stands create an enveloping sound that makes whoever is singing enjoy a quality like few remember. El Pirula assures me that he has been speaking with many directors and representatives who attended the event and they all agreed: if the public perceives the sound in the stands and chairs with the same quality as on stage, it will be a contest to remember. And it is that this technical part has always been a headache for everyone, murgas, comparsas, groups, rondallas and organization. There is no doubt that preparing yourself for six months so that the appointed day does not show off your work can with anyone’s morale.
From what they say in my business, the first contest held, the rondallas, had spectacular acoustics in the theater; Many of the attendees, who later passed by my canteen, said that the sound was much better than that of the auditorium itself, so much so that it seems that the foundations trembled when Besay sang with the force that characterizes him the Oh Sole mine!. Hopefully the same will happen with the rest of the contests, because both the public and the participants are more than clear that sounding good is a real pleasure.
